Re-shoot any scene from the footage you already have.
Vitua rebuilds each scene in 3D, set and performances together. Your team reframes it for any screen, adds the angle nobody shot, or fixes a take, without calling anyone back to set.
Original 16:9
A-CAM · 01:04:22:13
A crop throws the frame away. Vitua moves the camera.
Crop.
Vitua.
Sample frames created for this demo. On a production, Vitua works from your own footage.
One scene asset. Every output your release needs.
Vitua turns locked footage into a 3D scene that your editors and VFX artists can shoot again with a virtual camera. Everything below comes from that same asset.
Reframe for every screen
Deliver vertical, square and 4:3 versions composed for the format instead of cropped from it.
- 16:9 trailers recomposed for 9:16 campaigns
- 4:3 that keeps the detail at the edge of frame
- Theatrical 2.39:1 to streaming and social
Recover coverage
Pull the close-up, the reverse or the insert the edit needs from the scene, after the set has been struck.
- New angles and lens lengths
- Camera moves the location didn't allow
- Matched to the original performance and light
Repair in post
Fix the shot on the take you already have, without a pickup day or a cast callback.
- Relighting and continuity fixes
- Background replacement with correct parallax
- An immersive version of the scene for headsets
One master, recomposed for each delivery format.
Built for studios that release everywhere at once.
A title now ships to theaters, living rooms, phones and partner networks in the same window. Vitua lets every team get what it needs from the picture you locked.
Every title, framed for every surface.
Previews, home-screen art and vertical promos come from the same scene, composed for each format instead of cut down to it.
Outcome: one master feeds every surface in the app.
Keep the reshoot budget in the budget.
Missing coverage and continuity fixes get solved in post, on the performance you already paid for, while the schedule holds.
Outcome: fewer pickup days and callbacks.
Vertical campaigns from the 16:9 cut.
Cut the trailer once. Every shot is recomposed for 9:16 and 4:5, so the lead stays in frame and the campaign looks shot for mobile.
Outcome: social versions without a second edit.
New windows for the catalog.
Re-deliver library titles to broadcast, international and mobile partners without letterboxing or lost edges.
Outcome: more of the archive becomes licensable inventory.
Nothing changes on set.
The work starts when the footage arrives and ends inside your existing pipeline.
Ingest
Send the scene with its standard coverage: master, reverses, close-ups. Any camera, any format.
Reconstruct
Every angle is registered into one 3D set, and each performer becomes a moving 3D asset with the dialogue aligned.
Complete
A video model tuned on your footage fills in the views no camera saw, held to the scene's geometry.
Deliver
Finished shots go into your edit. Scene assets go to Nuke and Unreal for your VFX team.
Measured, not guessed
Each reconstruction is scored against a camera angle held back from it, and you see the scores before anything reaches the cut.
Your footage stays yours
Work runs under NDA, and you own every asset Vitua produces from your material.
Fits the pipeline you have
No new capture, no rigs on set, no change to how your editors and VFX teams already work.
Send us a scene.
Every studio relationship starts with one scene of yours, rebuilt and returned under NDA, so you can judge Vitua on your own footage.
contact@vitua.com